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      <image:caption>SYNCING INK</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Choreographer - A CONVERSATION WITH STEVEN VARGAS AND ADESOLA OSAKALUMI</image:title>
      <image:caption>It feels like liquid. Plum walks through the muckiest and murkiest water possible, letting each step feel as weighted and lulled as if dumbbells pulled each movement back. After all, murky is exactly how the water remains in Flint, Michigan. CULLUD WATTAH, the world premiere play by Erika Dickerson-Despenza and directed by Candis C. Jones at The Public Theater, sits in on the lives of a family of Black women in Flint, Michigan, who grow more concerned every day that their water supply remains dirty. As illnesses fester and a class action lawsuit arises, each person seeks their own way out. Movement Director Adesola Osakalumi shares how water informed the movement that made every scene more fluid and powerful.  Steven Vargas: One of the first things that came to mind was there's a lot of movement there behind the language. Can you tell me how you were able to utilize that language to put the movement on stage? Adesola Osakalumi: I feel like Erika writes in such a visual way. In that regard, it made certain things easier because there was such a clear guideline as to how to address and how to approach it. I wanted to be naturalistic, and not move like traditional choreography. The play does have Afro-surrealist and Afro-futurist components, so there are dream-like elements. We played around a lot with suspension of time and small task-based gestures in terms of what the characters are trying to say throughout the course of the piece. But I wanted to do justice to what Erika wrote. She wrote something really beautiful and moving and a lot of what myself and my associate — who’s also my partner, Jill Vallery — really wanted to honor was the water concept. It’s about water, so a lot of the things that we did had water as a base. As we know, water adapts and morphs. It can be heated up and evaporate into steam and then become solid again, turning into ice, making it movable. So we used water and its elements to control how the characters move through the space….READ MORE</image:caption>
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      <image:title>Choreographer - This Double-Billed Performer/Choreographer Is Bringing a Surprising Amount of Dance to Broadway’s Newest Play Lauren Wingenroth</image:title>
      <image:caption>The 2nd Annual Antonyo Awards Nominations</image:caption>
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    <lastmod>2021-08-30</lastmod>
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      <image:title>Bio - Adesola Osakalumi is an award-winning Actor, Choreographer, Creative Director, Singer, and Dancer.</image:title>
      <image:caption>Adesola’s talents have garnered him successes in Film, Theater, Television, and on Broadway. He starred in the FELA! Original Broadway run, National Tour and it’s Broadway return. Adesola was in the Revival of EQUUS and he will return to Broadway with SKELETON CREW in the Winter season of 2021. Adesola’s Television appearances include ICE on Audience Network/DirectTV, directed by Academy Award-winner Antoine Fuqua; and Blue Bloods. Theatrically, he was featured in runboyrun at New York Theater Workshop, Syncing Ink at The Flea Theater and in the highly-acclaimed OBIE Award-winning play Skeleton Crew, directed by Ruben Santiago-Hudson at the Atlantic Theater Company.  In film, he can be seen in Red Pill, IBRAHIM, Sex and the City 2; The Accidental Husband; Enchanted, Idlewild, Crazy Beats Strong, an award-winning short film featured at The Sundance Film Festival; and in Ngwino Ubeho at The Sundance Theater Lab. He has been favorably reviewed and profiled in The New York Times, NY Magazine, The New York Daily News, VIBE.com,  ESSENCE.com, Jamaica Observer, Chanel 5 News, and many other outlets Recent Choreographic credits include: CULLAD WATTAH, Coal Country &amp; Othello (The Public Theater), Good Grief (Vineyard Theater) Skeleton Crew (Atlantic Theater) and Eyewitness Blues (New York Theater Workshop). It was through dance that Ade  made his first mark on the stage and has come to be regarded among his peers as a leader in the world of Hip Hop dance. He has the distinction of having Co-Created Directed &amp; Co Choreographed  the Off-Broadway hit JAM ON THE GROOVE, the first ever Hip Hop theater production. It received a Drama Desk Award nomination for Best Choreography. (READ MORE…)</image:caption>
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